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KONSTANTIN KOTELNIKOV
Tenor |
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PHOTO GALLERY |
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IN OPERA |
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Almaviva in IL BARBIERE DI SIVIGLIA by Rossini
Lensky in EUGENE ONEGIN by Tchaikovsky
Duke in RIGOLETTO by Verdi
Alfredo in LA TRAVIATA by Verdi
Vladimir in PRINCE IGOR by Borodin
Rodolfo in LA BOHEME by Puccini
Alfred in DIE FLEDERMAUS by I. Strauss
God's fool in BORIS GODUNOV by Mussorgsky
Don Ottavio in DON GIOVANNI by Mozart
Lykov in THE TSAR'S BRIDE by Rimsky-Korsakov
Triquet in EUGENE ONEGIN by Tchaikovsky
Pedrillo in DIE ENTFUEHRUNG AUS DEM SERAIL by Mozart
Camille de Rosillon in DIE LUSTIGE WITWE by Lehar
Singer in TRUFFALDINO by Kolker |
KONSTANTIN KOTELNIKOV in Mariinsky Theatre
(Almaviva in IL BARBIERE DI
SIVIGLIA by Rossini) |
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| Don Bartolo - Y. Shklyar |
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Figaro - V. Samsonov
Mariinsky Theatre, April 13, 1996 |
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л The Master (K. Pluzhnikov) has a flair for good young opera singers. It is not by accident that he invited
Konstantin Kotelnikov, a tenor from the Kishinev Opera to take part in the first performance, that he directed, having
recognized in him a brilliant tenor individuality and natural artistic demeanour. Kotelnikov is a valuable acquisition for
theatrical St. Petersburg and we should honour to Pluzhnikov for that.
In the part of count Almaviva Kotelnikov stands through almost all the part in a high register constantly confirming his
tenor significance and delights the audience with the transparance of high notes.╗
Vera Tzalobanova
ToDaSe (The
One Thing and Another), ╣ 21 (202)
July 1996 |
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K. Kotelnikov - Almaviva, O.Trifonova - Rosina, J. Revzen - conductor,
V.Ognovenko -
DonBasilio;
in the second line: O.Korzhenskaya - Berta, Y.Laptyev - Officer, A.Gergalov - Figaro, Y.Shklyar - Don
Bartolo.
Mikkeli, July 3, 1995 |
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KONSTANTIN KOTELNIKOV
Almaviva in IL BARBIERE DI SIVIGLIA by Rossini |
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лI have not expected to hear, nowadays, an almost ideal Almaviva - Konstantin Kotelnikov (Odessa
school, a soloist of the MALEGOT - The Musorgsky Opera and Ballet Theatre).
Kotelnikov not only has unique essential qualities for successful singing of Rossini (easy emission, mobility of the voice,
he has no problems with the highest C, etc.) but also sings his part intelligently, possesses the secrets of grace singing.
Add his southerner looks of the early silent cinema type and the recipe лhow to become a star╗ is ready.╗
Andrei Hripin
Nezavisimaya gazeta (Independent Newspaper)
December 22, 1998
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KONSTANTIN KOTELNIKOV
Lensky in EUGENE ONEGIN by
Tchaikovsky |
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лIn St. Petersburg Leiferkus sang one of his best parts - Eugene Onegin. The actual dialogue ensued
not with Tatyana but with Lensky - young Konstantin Kotelnikov, musical, nervous and dainty. His voice is light like a
feather and sensitive towards emotional motions. There appeared a sensitive interchange between him and Leiferkus. The
duet-canon of Onegin and Lensky before the duel became the culmination of the evening when the voices touched each other in
love-hatred. One wished to believe that the star rival would not kill the tenor but give him л a start in life╗ as they used
to say in the past.╗
Aleksei Parin
Russky telegraf (The Russian Telegraph)
April 9, 1998
K. Kotelnikov - Vladimir Lenski, E.Borisevich - Tatyana, S.Leiferkus - Eugene Onegin, A.Anikhanov - conductor,
L.Tedtoyeva - Filipyevna, N.Romanova - Madame Larina,
S.Safenin - Zaretsky, A.Kuligin - Monsieur Triquet
Mussorgsky Opera House
April 6, 1998 |
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KONSTANTIN KOTELNIKOV
Duke in RIGOLETTO by Verdi |
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лFrom now on he will sing the part of the Duke in лRigoletto╗ which will be a debut for him. What to
say? The debut is most crucial. And Kotelnikov has done it perfectly. I was astonished how easily he sang all the high
notes.╗
Valentin Maksimenko
Slovo ( The Word),
╣26 (138)
June 30, 1995 |
лThe Duke ( K. Kotelnikov) has demonstrated a fresh young voice with good centre and high
notes.╗
Antonio Lasierra
El periodico de Aragon (Spain)
November 26, 1994
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KONSTANTIN KOTELNIKOV
Rodolfo in LA BOHEME by Puccini
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лKonstantin sings the most complicated part of Rudolf in лLa Boheme╗ without any seeming
difficulty...╗
Valentin Maksimenko
Odessky vestnik (The Herald of Odessa)
February 17, 1999
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I.Gavrilov - Colline, V.Yuzvenko - Mimi, A.Sitnikov - conductor, K. Kotelnikov - Rodolfo, T.
Domnikova - Musetta, Y.Ivshin - Marcello, D. Nelasov - Schaunard
Mussorgsky Opera House
January 16,
1998 |
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KONSTANTIN KOTELNIKOV
Lykov in THE TSAR'S BRIDE by
Rimsky-Korsakov |
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лThe part of Lykov is considered to be not very effective. But Kotelnikov breaks the лtradition╗
stirring up a burst of the audienceТ emotions after the part лThe Rainy Cloud╗ which is usually a regular piece. It is the
destiny of a creative person to change the attitude to the part.╗
Valentin Maksimenko
Odessky Vestnik (The Herald of Odessa)
February 17, 1999 |
 | N.Potashova - Dunyasha,
M.Tregubovich - Domna Saburova, E. Morozova - Marfa, K.Kotelnikov - Ivan Lykov
Mussorgsky Opera House. 1998 |
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